Have you ever listened to a recording of birdsong? Or ocean waves? The howling of wolves, or thunder and rain? If you have, did you ever wonder whether nature was getting any compensation for producing that acoustic art that found its way to your speakers? How can music help protect the places that inspire it?

A number of musicians and environmentalists have begun raising that last question — and trying to ensure that its answer is yes. Nature sounds have long been sampled in musical tracks of all genres, but over the past few years, artists and cultural leaders have created a movement viewing nature as more than just a source of inspiration, but as a collaborator — one who deserves both credit and compensation.

One such initiative formally launched in mid-May, on the day of the full flower moon: a new record label and platform called Future Sound of Nature, dedicated to “blending the soul of electronic music with the rhythms of the Earth.” The platform is the brainchild of Eli Goldstein and Lola Villa, two electronic artists who connected as part of the group DJs for Climate Action.

“Having experienced what happens on the dance floor and the type of magic that happens there, we always believed that it was a very special place for community building around climate and acknowledging the Earth,” said Villa. “Eli and I wanted to create an organization or a platform where music could speak to that notion. And then also, how do we give nature a role in our storytelling and in our business model?”

In Future Sound of Nature’s model, 20 percent of the revenue from each release will go toward conservation or stewardship projects for the habitats featured in the recordings. The plan is for every release to have a theme, Villa said, whether that’s a location, a type of habitat, or even perhaps a single species. The first release under the new label was an EP of her own, titled Amazonía. Its eight tracks are built on field recordings she took during two visits to the Peruvian and Colombian Amazon, and 20 percent of the proceeds will go directly to the Indigenous Bora people who hosted her there, demonstrating how music can help protect the places that inspire it.

Read the full article about recognizing nature as an artist by Claire Elise Thompson at Grist.